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Gamblin Printmaking Relief Ink - Phthalo Blue - Jar of 175 ML

₹2,215.00
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SKU
R2530

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Phthalo Blue - 175 ML Jar
Gamblin Printmaking Relief Ink - Phthalo Blue - Jar of 175 ML
Gamblin Printmaking Relief Ink - Phthalo Blue - Jar of 175 ML

Gamblin Printmaking Relief Ink - Phthalo Blue - Jar of 175 ML

Gamblin Printmaking Relief Ink - Phthalo Blue - Jar of 175 ML

SKU: R2530
In stock
0
0 reviews
  • Colour - Phthalo Blue; Size - 175 ML; Series - 3; Pigment - Copper phthalocyanine (PB 15:2); Transparency - Transparent
  • Handcrafted using top quality pigments and carefully selected Burnt Plate Oils
  • Formulated for all relief techniques, including woodblock, linocut, monotype, and Solar plate
  • Unparalleled intensity and sensitivity to printmakers most finely detailed marks
  • Rolls out smoothly, and easily transfers solid fields of colour and fine detail from block to paper.
  • Warm blue first made for printmaking ink (cyan) to replace Prussian Blue in the 1920’s. It is an excellent choice in primary color-mixing systems, along with Hansa Yellow Light and Quinacridone Red. With clean, pure masstone and transparency, Phthalo Blue, like all modern colors, has high tinting strength.

The Galeria Acrylics line consists of 60 magnificent colors in 60ml tubes and 500ml Jars making it ideal for art & design students, hobbyists, muralists, decorative painters and fine artists who work on a grand scale.

Although Galeria Acrylics are sometimes referred to as a fine grade acrylic, their high pigment levels deliver professional results with significantly better covering power than many similarly priced brands

   
  • Colour - Phthalo Blue; Size - 175 ML; Series - 3; Pigment - Copper phthalocyanine (PB 15:2); Transparency - Transparent
  • Handcrafted using top quality pigments and carefully selected Burnt Plate Oils
  • Formulated for all relief techniques, including woodblock, linocut, monotype, and Solar plate
  • Unparalleled intensity and sensitivity to printmakers most finely detailed marks
  • Rolls out smoothly, and easily transfers solid fields of colour and fine detail from block to paper.
  • Warm blue first made for printmaking ink (cyan) to replace Prussian Blue in the 1920’s. It is an excellent choice in primary color-mixing systems, along with Hansa Yellow Light and Quinacridone Red. With clean, pure masstone and transparency, Phthalo Blue, like all modern colors, has high tinting strength.